Noise edge pitch and models of pitch perception

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چکیده

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6 Pitch perception models

This chapter discusses models of pitch, old and recent. The aim is to chart their common points – many are variations on a theme – and differences, and build a catalog of ideas for use in understanding pitch perception. The busy reader might read just the next section, a crash course in pitch theory that explains why some obvious ideas don’t work and what are currently the best answers. The bra...

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Pitch perception models

This chapter discusses models of pitch, old and recent. The aim is to chart their common points – many are variations on a theme – and differences, and build a catalog of ideas for use in understanding pitch perception. The busy reader might read just the next section, a crash course in pitch theory that explains why some obvious ideas don’t work and what are currently the best answers. The bra...

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Pitch is one of the primary auditory sensations and plays a defining role in music, speech, and auditory scene analysis. Although the main physical correlate of pitch is acoustic periodicity, or repetition rate, there are many interactions that complicate the relationship between the physical stimulus and the perception of pitch. In particular, the effects of other acoustic parameters on pitch ...

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Pitch perception models - a historical review

This paper analyzes theories and models of pitch from a historical perspective. Pythagoras is credited with the first ”psychophysical” model, the monochord, that he used to formulate a law that links a physical quantity (ratio of string lengths) to a psychological quantity (musical interval). The relation between pitch itself and frequency emerged progressively with Aristoxenos, Boethius, Merse...

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ژورنال

عنوان ژورنال: The Journal of the Acoustical Society of America

سال: 2019

ISSN: 0001-4966

DOI: 10.1121/1.5093546